It’s a hard thing, realising people aren’t who you want them to be. Such a poignant, sincere line was first heard in the trailer for Scott Cooper’s new Bruce Springsteen biopic, which sees The Bear star Jeremy Allen White tasked with embodying ‘The Boss’. Yet, it wasn’t until I was sat captivated in the cinema that I heard the line afresh, stricken by how one compelling piece of… Continue reading The Man Beneath the Surface: Springsteen: Deliver Me From Nowhere Review
I watched One Battle After Another in the same week that I rewatched Longlegs and Weapons. Following the double bill of cultish mind control and paranormal fascination, I oddly found myself much more disturbed and sweaty watching the plot of Paul Thomas Anderson’s new film unfold. A loose adaptation of Thomas Pynchon’s 1990 novel Vineland, the story follows Bob, a washed-up revolutionary hiding with… Continue reading One Battle After Another – Mankind is Scarier Than Any Ghost
Tourette’s syndrome was discovered in the 1980s and wasn’t something that people would discuss casually. Most people didn’t even know what it was during that time. However, forJohn Davidson, growing up in a small Scottish village meant living with a condition no one could name or understand. The new 2025 film I Swear, directed by Kirk Jones, takes us back to that time, telling us about… Continue reading “I swear” the movie that made Britain listen
Alice Lowe’s Timestalker is an inventive, genre-bending dark comedy that traverses time, love and existential questions with her signature sharp wit and emotional depth. Following her critically acclaimed debut feature Prevenge (2016), Lowe returns with a more ambitious and stylistically experimental project. In Timestalker, she once again demonstrates her unique voice, blending comedy with moments… Continue reading Timestalker: Alice Lowe’s darkly hilarious journey through love and time
Stanley Kubrick’s Barry Lyndon, which marks its 50th anniversary this year, struggled at the box office when it was released. It remains one of the director’s most under-appreciated films. Unlike 2001: A Space Odyssey or The Shining, which have been endlessly dissected in books and essays, Barry Lyndon has received relatively little scholarly attention –… Continue reading Barry Lyndon at 50: why Kubrick’s most overlooked masterpiece deserves another viewing
Released in 2009, it introduces itself as a comedy that is not so much about lying which is defined as saying something that is not but it summarizes all the facts that are better kept silent. We most often lie to spare people and our feelings, to protect ourselves, for bad intentions and by omission. … Continue reading The Invention of Lying: A Comedy That Tells the Truth About Dishonesty
Indian filmmaker Payal Kapadia’s new film, All We Imagine as Light, won the prestigious Grand Prix award at the 2024 Cannes Film Festival in May. The film exhibits an Indianness that is distinctive from the one most frequently represented globally. Within mainstream Hindi cinema, India is often presented as a homogenous Hindu, upper-caste, middle-class Hindi-speaking nation. In western… Continue reading Payal Kapadia’s ‘All We Imagine As Light’ disrupts popular narratives of Mumbai
The Dr. Strangelove stage adaptation at London’s Noel Coward Theatre delivers a hilarious, engaging, and thought-provoking experience. Armando Iannucci’s adaptation, directed by Sean Foley, stays faithful to Stanley Kubrick’s Cold War satire while providing a fresh theatrical spin. Steve Coogan, taking on the roles of Captain Mandrake, Dr. Strangelove, President Muffley, and Major TJ Kong,… Continue reading Steve Coogan shines in Dr. Strangelove: a hilarious, faithful spin on Kubrick’s classic from Armando Ianucci
In Mickey 17, director Bong Joon-ho returns to the big screen with a sci-fi satire that combines biting social commentary with a hefty dose of dark humor. This film, a follow-up to his Academy Award-winning Parasite, is far from the subtle, intricately layered critique of class dynamics that won hearts and Oscars in 2020. Instead,… Continue reading Mickey 17: Robert Pattinson delivers a double dose of dysfunction in Bong Joon-ho’s darkly humorous Sci-Fi satire
Tim Burton’s Beetlejuice Beetlejuice, the long-anticipated sequel to his 1988 cult classic, lands with all the macabre flair you’d expect from the director. While the film doesn’t quite capture the lightning-in-a-bottle energy of the original, it’s still a gleefully twisted ride that manages to stay true to its roots while offering up some fresh, if… Continue reading Beetlejuice Beetlejuice: a spirited return to Tim Burton’s gothic playground
