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Emily Brontë’s Gothic masterpiece — why the Emerald Fennell adaptation fails to capture the heart of the moors

Book adaptations have always divided opinion, especially with texts as well-loved and hotly debated as Emily Brontë’s masterpiece, Wuthering Heights. Over the years the classic tale of the tempestuous relationship between Heathcliff and Catherine has seen countless film, TV and theatre incarnations, and has even been immortalised in song by the inimitable Kate Bush. Unsurprisingly,… Continue reading Emily Brontë’s Gothic masterpiece — why the Emerald Fennell adaptation fails to capture the heart of the moors

The return of the Gothic — a negotiation of humanity

Cinematographers and film lovers alike seem to have developed a gothic appetite. Guillermo del Toro’s new adaptation of Mary Shelley’s iconic novel, Frankenstein, gained quite a lot of friction online and has been acclaimed by audiences and critics alike. The movie seems to be a part of a wider cinematographical tendency which leans towards the… Continue reading The return of the Gothic — a negotiation of humanity

In search of lost film — Proust’s nostalgia and the all-access economy

It’s never been easier to watch movies. Fire up your streaming service of choice, navigate through pages of straight-to-Netflix slop and enjoy the show. Yet, prior to the mid-2010s, streaming content was a novelty; further back than that, the concept of unlimited access to media at home was a sci-fi dream. Indeed, commercial VHS players… Continue reading In search of lost film — Proust’s nostalgia and the all-access economy