The ethical dimensions of artificial intelligence (AI) image colourization were recently brought to public attention when several historical images were altered using digital algorithms. Irish artist Matt Loughrey digitally colourized and added smiles to photos of tortured prisoners from Security Prison 21 in Phnom Penh, Cambodia, which was used by the Khmer Rouge from 1975-79.… Continue reading The controversial history of colourising black-and-white photos
Featuring Pam Hawkes and George Underwood, each belonging to a particular strain of European art – one that focuses on the senses and the mind over pure logic and realism, a tradition stretching back to the dark ages via Fuseli, Bruegel and Bosch. Pam Hawkes This new collection of work by Pam Hawkes is an… Continue reading Modern Gothic at the Catto gallery
Caroline Westerhout, born in Weert in 1970, asks ‘Why are we all pretending to be normal when we could be insanely interesting instead?’ in her Instagram biography – an entirely appropriate reference to both Atlas, and the spirit that courses throughout her art. Westerhout’s artistic practice primarily features unique and non-traditional portraits that are simultaneously… Continue reading Caroline Westerhout: an interview
The colour orange has a complex, sometimes even confusing, history that can often be overlooked. Its presence in humanity’s artistic record is believed to first appear in the ruins of Ancient Egyptian tombs. Tomb walls were often covered with images of gods and historical figures in which a mix of yellow, orange and brown were… Continue reading The history of orange
If you have ever uttered phrases such as “I lack creativity” or “I just can’t draw”, it’s time to uncover a truth: Creativity is not an innate talent bestowed upon a select few. It is subjective. Less than half of people on average (39 percent in 2012 and 41 percent in 2016) would describe themselves… Continue reading Producing art as a non-creative: 8 ways
Where does Simon Garden live? The prosaic answer is Bristol, but the more accurate response might be that, most of the time, he lives in his creative imagination You don’t get many vast fan shaped trees or conical wooded hills around that city. But you do get them on the canvases in Simon Garden’s new… Continue reading Simon Garden at the Catto gallery
The colour red has had a wide variety of meanings and purposes throughout human history. The earliest use of red in the archaeological record comes from cave paintings drawn over thirty thousand years ago. Early humans used a naturally occurring pigment made of a mix of iron oxide and clay, now known as red ochre,… Continue reading The history of red
Inspiration comes from the most unexpected places. In the case of Rachel Deacon, her artistic career was sent in a completely different direction by…a home extension. When the construction was complete and the builders had left, Rachel was left with a huge blank wall. It was crying out for a big canvas, a statement abstract… Continue reading Rachel Deacon at the Catto Gallery
Belinda Eaton’s magical realist paintings and portraits, done in acrylic or oil on canvas, are on show at the Catto Gallery after winning the Society of Women Artists prize. “My paintings are my world, my fascination for people, plants, animals and colour. They are how I perceive things with all their energy” said Eaton. Schooled… Continue reading Belinda Eaton at the Catto gallery
Located on a wall in Fitzrovia, London and appearing overnight on Easter Monday in 2011, it depicts one of Banksy’s iconic rats underneath the writing in red reading, “If graffiti changed anything, it would be illegal”. This is a reference to a quote by 20th century political activist Emma Goldman who campaigned for Women’s rights, her words were: “If voting ever… Continue reading If graffiti changed anything it would be illegal (2011), Banksy
