In her latest body of work, artist Tarka Kings turns her eye to the ritual of outdoor swimming, focusing on the Serpentine Lido in London’s Hyde Park — a place she swims most mornings. The result is Mornings at the Lido, a quietly absorbing exhibition of new drawings at Offer Waterman, on view from 25… Continue reading The quiet ritual — Tarka Kings’ morning meditations at the Serpentine Lido
The Haitian scholar Michel-Rolph Trouillot once observed, “Silences are inherent in history… something is always left out while something else is recorded.” The esea contemporary attempts to rewrite these silences and showcase the artwork and voices of the East and Southeast Asian community both in Manchester and globally. The esea contemporary — formerly known as… Continue reading Rewriting erased histories — esea contemporary’s mission to amplify East and Southeast Asian voices
Thomas Dane Gallery – 28 February–3 May 2025 Thomas Dane Gallery presents an exhibition of new paintings by Ella Kruglyanskaya (b. 1978, Riga, Latvia), the first in a series of three exhibitions across the year, with the second opening in Basel at Contemporary Fine Arts in June and the third in the autumn in New… Continue reading Ella Kruglyanskaya – Shadows
A new initiative aimed at supporting art professionals from working-class backgrounds is launching in London. The Working Arts Club, founded by Meg Molloy, Head of Communications at Stephen Friedman Gallery, is an independent organisation designed to bring together those from lower socioeconomic backgrounds who work in the UK’s visual arts sector. The club’s focus is… Continue reading The Working Arts Club: breaking down barriers for working-class creatives in the Art world
Tarot cards are everywhere in contemporary culture — but where do they come from, and what is at stake in the different forms they have taken? Few sets of symbols have travelled as widely or been put to such a diverse range of uses. The exhibition presents a series of key moments in tarot’s long… Continue reading Tarot — Origins & Afterlives at the Warburg Institute
One day, not long after Mark Edwards had completed his first collection of ‘white wood’ paintings, he got chatting to a tourist who was visiting Mark’s native Scotland. The visitor was a psychologist and he was very interested in the work. “The trees in your paintings…” said the psychologist. “They’re all dead aren’t they?” The… Continue reading Overcoats and snow, the mystery of Mark Edward’s exhibitions
Featuring Pam Hawkes and George Underwood, each belonging to a particular strain of European art – one that focuses on the senses and the mind over pure logic and realism, a tradition stretching back to the dark ages via Fuseli, Bruegel and Bosch. Pam Hawkes This new collection of work by Pam Hawkes is an… Continue reading Modern Gothic at the Catto gallery
The ethical dimensions of artificial intelligence (AI) image colourisation were recently brought to public attention when several historical images were altered using digital algorithms. Irish artist Matt Loughrey digitally colourised and added smiles to photos of tortured prisoners from Security Prison 21 in Phnom Penh, Cambodia, which was used by the Khmer Rouge from 1975–1979.… Continue reading The controversial history of colourising black-and-white photos
One of the great paradoxes of human endeavour is why so much time and effort is spent on creating things and indulging in behaviour with no obvious survival value — behaviour otherwise known as art. Attempting to shed light on this issue is problematic because first we must define precisely what art is. We can… Continue reading What’s the point of art?
In September 2024, Wellcome Collection will present Hard Graft, an exhibition exploring experiences of physical work and its impacts on health and the body. Making connections between undervalued labour, the people who do it and the spaces where it happens, this exhibition brings into focus the people whose health, work and rights remain hidden on… Continue reading Hard Graft — work, health and rights
