It’s never been easier to watch movies. Fire up your streaming service of choice, navigate through pages of straight-to-Netflix slop, and enjoy the show. Yet, prior to the mid-2010s, streaming content was a novelty; further back than that, the concept of unlimited access to media at home was a sci-fi dream. Indeed, commercial VHS players didn’t reach the United… Continue reading In Search of Lost Film: Proust’s Nostalgia and the All-Access Economy
As we near the end of the film festival season, one highlight across the board has been Ronan Day-Lewis’s Anemone. After world-premiering at the New York Film Festival, praise and press for the stormy, Yorkshire-set picture have eclipsed some of the other strong releases. The fanfare surrounding the festival’s premiere wasn’t just about a son’s bold directorial… Continue reading Daniel Day-Lewis’ Refined Mastery
Nolan. Tarantino. Scorsese. Spielberg. These names are synonymous with the term: master of cinema and are often mentioned when one discusses the great directors of our time. All have brought us groundbreaking stories, timeless classics and masterpieces that have stood the test of time. However, there is one name that is left out. David Fincher. Whilst he is highly acclaimed and has been Oscar-nominated three times; the masterpieces he has made are all well-known and frequently cited… Continue reading Directed Focus: David Fincher
It’s a hard thing, realising people aren’t who you want them to be. Such a poignant, sincere line was first heard in the trailer for Scott Cooper’s new Bruce Springsteen biopic, which sees The Bear star Jeremy Allen White tasked with embodying ‘The Boss’. Yet, it wasn’t until I was sat captivated in the cinema that I heard the line afresh, stricken by how one compelling piece of… Continue reading The Man Beneath the Surface: Springsteen: Deliver Me From Nowhere Review
Picture this – a street in Northeast London, a row of houses, two storeys, lines of windows punctuated by front doors, garden walls, wheelie bins. Look up to the roofs, tiles, chimney pots. Now, imagine a bed on one of those roofs, white wrought iron frame, red crochet blanket. It was here – on the roof – that… Continue reading Power to the people: an interview with artist and filmmaker Daniel Edelstyn
From watching a blockbuster at the cinema to watching a program on Netflix, the entertainment industry has had to adapt at a rapid pace to be able to keep up with demand from audiences. But to what detriment? For starters, the movie industry has produced multiple classics over the years. This ranging from the 1950s… Continue reading The Slop Era Is Upon Us
I watched One Battle After Another in the same week that I rewatched Longlegs and Weapons. Following the double bill of cultish mind control and paranormal fascination, I oddly found myself much more disturbed and sweaty watching the plot of Paul Thomas Anderson’s new film unfold. A loose adaptation of Thomas Pynchon’s 1990 novel Vineland, the story follows Bob, a washed-up revolutionary hiding with… Continue reading One Battle After Another – Mankind is Scarier Than Any Ghost
Tourette’s syndrome was discovered in the 1980s and wasn’t something that people would discuss casually. Most people didn’t even know what it was during that time. However, forJohn Davidson, growing up in a small Scottish village meant living with a condition no one could name or understand. The new 2025 film I Swear, directed by Kirk Jones, takes us back to that time, telling us about… Continue reading “I swear” the movie that made Britain listen
Alice Lowe’s Timestalker is an inventive, genre-bending dark comedy that traverses time, love and existential questions with her signature sharp wit and emotional depth. Following her critically acclaimed debut feature Prevenge (2016), Lowe returns with a more ambitious and stylistically experimental project. In Timestalker, she once again demonstrates her unique voice, blending comedy with moments… Continue reading Timestalker: Alice Lowe’s darkly hilarious journey through love and time
Stanley Kubrick’s Barry Lyndon, which marks its 50th anniversary this year, struggled at the box office when it was released. It remains one of the director’s most under-appreciated films. Unlike 2001: A Space Odyssey or The Shining, which have been endlessly dissected in books and essays, Barry Lyndon has received relatively little scholarly attention –… Continue reading Barry Lyndon at 50: why Kubrick’s most overlooked masterpiece deserves another viewing
