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Steve Coogan shines in Dr. Strangelove: a hilarious, faithful spin on Kubrick’s classic from Armando Ianucci

The Dr. Strangelove stage adaptation at London’s Noel Coward Theatre delivers a hilarious, engaging, and thought-provoking experience. Armando Iannucci’s adaptation, directed by Sean Foley, stays faithful to Stanley Kubrick’s Cold War satire while providing a fresh theatrical spin. Steve Coogan, taking on the roles of Captain Mandrake, Dr. Strangelove, President Muffley, and Major TJ Kong,… Continue reading Steve Coogan shines in Dr. Strangelove: a hilarious, faithful spin on Kubrick’s classic from Armando Ianucci

Ridley Scott claims ‘The Duellists’ was supposed to win the Palme d’Or, but the jury was “bribed”

Ridley Scott’s 1977 debut, The Duellists, is often hailed as one of his most visually stunning films, and any list of the best Scott films would be incomplete without it. Premiering at the Cannes Film Festival, The Duellists received critical acclaim and won the prestigious Best First Film prize. However, according to Scott, it was… Continue reading Ridley Scott claims ‘The Duellists’ was supposed to win the Palme d’Or, but the jury was “bribed”

The Old Oak —  is it right to ban the XL Bully?

TJ walks through a graveyard, visiting his wife who is buried there. By his side, his tiny mongrel pup, Marra, yaps about and waggles his tail. Like all dogs, he is just grateful to be outside and grateful to be alive. Marra suddenly runs, catching a scent and following his instincts. TJ pursues, calling his… Continue reading The Old Oak —  is it right to ban the XL Bully?

Challengers review — Luca Guadagnino’s tennis film reviewed by an expert in the psychology of competition

{Metro Goldwyn Mayer Pictures}

“Tennis is a relationship”, says Tashi Duncan (Zendaya) in director Luca Guadagnino’s new film Challengers. However, this relationship is not simply between the game and the player. Rather the heart of tennis, and perhaps of all competition, is a three-way relationship between two contestants and a third person. Their presence, and observation, is what gives… Continue reading Challengers review — Luca Guadagnino’s tennis film reviewed by an expert in the psychology of competition

Directed Focus — Christopher Nolan

{Dave J Hogan}

“You mustn’t be afraid to dream a little bigger darling” Christopher Nolan is probably the Best Director of all time. His capacity to synthesize and merge complex story narratives with breathtaking cinematic set pieces is unique and due even more spectacular to the fact he authors what we see, or usually what we try our… Continue reading Directed Focus — Christopher Nolan

2001: A Space Odyssey still leaves an indelible mark on our culture 55 years on

{Warner Bros}

2001: A Space Odyssey is a landmark film in the history of cinema. It is a work of extraordinary imagination that has transcended film history to become something of a cultural marker. And since 1968, it has penetrated the psyche of not only other filmmakers but society in general. It is not an exaggeration to… Continue reading 2001: A Space Odyssey still leaves an indelible mark on our culture 55 years on

Cinema of the debauched — Scala!!!

“Drugs, crime, sex and absolute debauchery”, said the expectant moviegoer. “Screen 1”, replied the dazed usher — a brief interaction that may very well have occurred between 1981 and 1993 just around the corner from King’s Cross station. Why may this have occurred? Well because Scala cinema was the ultimate cinema of sin. Founded by… Continue reading Cinema of the debauched — Scala!!!

Nosferatu at 104 — how the seminal vampire film shaped the horror genre

{Hulton Archive/Getty Images}

It is the centenary of the cinema premiere of the German horror film Nosferatu. Now recognised as a classic of the silent era and one of the first examples of cinematic horror, it used elements of gothic style to present a dark dream world. Ripe with undertones that link it not only to contemporary troubles,… Continue reading Nosferatu at 104 — how the seminal vampire film shaped the horror genre

Films made for Netflix look more like TV shows — here’s the technical reason why

The history of cinema as an art parallels its history as a technology. Ever wondered why the colour in The Wizard of Oz is so saturated? Well, it wasn’t the first Technicolor film, but it was the first to effectively advertise MGM’s new three-strip colour process to a global audience. Why advertise something at half-mast?… Continue reading Films made for Netflix look more like TV shows — here’s the technical reason why

The Godfather at 56 — celebrating the mob saga that raised the bar for gangster films

{Paramount Pictures}

It’s one of the most famous climactic scenes in film: a tense and shocking denouement that sees a series of brutal assassinations intercut with the central character calmly renouncing Satan as he becomes godfather to his nephew. Considered one of the great classics of American cinema, the triple Oscar-winning The Godfather turns 50 on 14… Continue reading The Godfather at 56 — celebrating the mob saga that raised the bar for gangster films