With the increasing improvement of various Large Language Models (LLMs), the most known software being ChatGPT, we are now witnessing a virtual assistant that can help write emails, draft business plans, and even offer life advice within its boundaries. The boundaries are what seem to be forgotten. It’s safe to say that with the growing… Continue reading AI Psychosis – The danger of artificial optimism
Thomas Dane Gallery – 28 February–3 May 2025 Thomas Dane Gallery presents an exhibition of new paintings by Ella Kruglyanskaya (b. 1978, Riga, Latvia), the first in a series of three exhibitions across the year, with the second opening in Basel at Contemporary Fine Arts in June and the third in the autumn in New… Continue reading Ella Kruglyanskaya – Shadows
A new initiative aimed at supporting art professionals from working-class backgrounds is launching in London. The Working Arts Club, founded by Meg Molloy, Head of Communications at Stephen Friedman Gallery, is an independent organisation designed to bring together those from lower socioeconomic backgrounds who work in the UK’s visual arts sector. The club’s focus is… Continue reading The Working Arts Club: breaking down barriers for working-class creatives in the Art world
‘Here is a Gale Warning: Art, Crisis & Survival’, a major exhibition exploring the capacity of artworks to both warn us of political, social and ecological upheaval, and to serve as a source of replenishment will run from 22 March – 29 June 2025, at Kettle’s Yard. It will bring together eight contemporary artists working… Continue reading Here is a Gale Warning: Art, Crisis and Survival
The Warburg Institute – 31 January-30 April 2025 The Warburg Institute will devote the inaugural international exhibition in its new Kythera Gallery to TAROT—ORIGINS & AFTERLIVES. Tarot cards are everywhere in contemporary culture; but where do they come from, and what is at stake in the different forms they have taken? Few sets of symbols… Continue reading Tarot – Origins & Afterlives
One day, not long after Mark Edwards had completed his first collection of ‘white wood’ paintings, he got chatting to a tourist who was visiting Mark’s native Scotland. The visitor was a psychologist and he was very interested in the work. “The trees in your paintings…” said the psychologist. “They’re all dead aren’t they?” The… Continue reading Overcoats and snow, the mystery of Mark Edward’s exhibitions
Featuring Pam Hawkes and George Underwood, each belonging to a particular strain of European art – one that focuses on the senses and the mind over pure logic and realism, a tradition stretching back to the dark ages via Fuseli, Bruegel and Bosch. Pam Hawkes This new collection of work by Pam Hawkes is an… Continue reading Modern Gothic at the Catto gallery
The ethical dimensions of artificial intelligence (AI) image colourization were recently brought to public attention when several historical images were altered using digital algorithms. Irish artist Matt Loughrey digitally colourized and added smiles to photos of tortured prisoners from Security Prison 21 in Phnom Penh, Cambodia, which was used by the Khmer Rouge from 1975-79.… Continue reading The controversial history of colourising black-and-white photos
One of the great paradoxes of human endeavour is why so much time and effort is spent on creating things and indulging in behaviour with no obvious survival value – behaviour otherwise known as art. Attempting to shed light on this issue is problematic because first we must define precisely what art is. We can… Continue reading What’s the point of art?
Launching in September 2024, the major free exhibition, Hard Graft: Work, Health and Rights, curated by Cindy Sissokho – recently acclaimed for her work on this year’s French pavilion at the Venice Biennale – will shed light on the often overlooked and undervalued experiences of labour, by highlighting the people whose health and rights are… Continue reading Hard Graft: a groundbreaking exhibition exploring labour, health and hidden histories
